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Shooting Stars Phil Hart Rapidshare Rating: 3,6/5 253reviews
Shooting Stars Phil Hart Rapidshare

Ms Office Professional Plus 2007 Kor here. So for the last year or so I have been concentrating again on more straightforward night sky photography; searching out dark and interesting locations where the earthly foreground contributes to the final image. Down And Up Mass Program Jim Stoppani Intermittent here. And rather than an hour or more that it might take to setup for astrophotography, the other advantage of this approach is that I can be snapping away within minutes, but still capturing a scene on camera that the eye can only barely perceive. Of course the other great advantage is that anybody can do it. Night Sky Scenes Most nights, I’ll start with relatively short exposures to capture the night sky scene in front of me.

Exposures are usually long enough to record more stars and detail in the sky than the eye can see, but not so long that the movement of the stars becomes obvious. It’s extraordinary how much you can capture in just a 30 second exposure with a modern digital SLR, compared to the grainy old days (and nights) of working with film when recording even a hint of the Milky Way was seen as success. Even entry level DSLRs are capable of capturing remarkable detail in the night sky, as in this example below. The Australian Earth Building Handbook Pdf more. Star Trails Having worked every angle I can on the sky and the foreground from a given location, I’ll often choose the framing that I liked the most from the short exposures and place the camera back there. Then I’ll lock the shutter down with a remote release and walk away, leaving the stars to trail across the image and create striking patterns in the sky for a single exposure that could be anything from five minutes to several hours long.

Depending on how close I am to a bed or a glass of wine, I might even leave the camera unattended during that time. Other nights though, I’ll be close by in the car or a tent, waiting patiently and making sure the weather doesn’t suddenly turn for the worse. Canon 1100D (Rebel T3), 300mm lens + 1.4x teleconverter When I’m in astrophotography mode, I don’t have many nice things to say about the Moon. Bright moonlight washes out distant galaxies and nebula making most forms of astrophotography impossible, and leaving just one or two weekends of ‘dark sky’ each month. But for night sky photographers, the Moon may well become your favourite target, one that can be photographed among even the bright lights of the city. And while the image below was shot with a full frame camera, in most cases a cropped sensor camera is actually the tool of choice as you try to get in close to our nearest celestial neighbour. Hap Griffin, an astrophotographer gave a presentation about astrophotography at the local camera club.

The is a site of five observatories. Hap also modifies DSLRs to increase their sensitivity to hydrogen-alpha light and sells equipment for astrophotography. Hap’s presentation inspired me to try my hand at astrophotography.