Waves CLA Classic Compressors Bundle v7.0r8 04. Practical Lego Technics Pdf here. 2010 TEAM iND RAR SIZE 81 MB FORMAT.: AU/VST/VST3/RTAS/TDM MAC Intel True classics stand the test of time. Chris Lord-Alge is a true classic. Over the course of a career spanning almost three decades, he has worked alongside many artists who are classics in their own right. Get the guaranteed best price on Compressors & Limiters Software like the Waves CLA-76 Compressor / Limiter Native/TDM/SG Software Download at Musician's Friend. Compression With Waves CLA Classic Compressors. Overview and review of the Waves CLA Classic Compresses Bundle. A look into Wave Compression using Waves CLA.
Not all of us can afford to have our tracks mixed by Chris Lord‑Alge. But Waves' latest plug‑in bundle might just be the next best thing. Over the last couple of years, Waves have persuaded a number of big‑name engineers and producers to have their favourite effects and processing chains turned into Artist series plug‑ins. The biggest of all these scalps is arguably Chris Lord‑Alge — the superstar mix engineer who, along with his brother Tom, has perhaps done more than anyone else to shape the sound of modern rock records. If there's one adjective that is widely associated with the Lord‑Alge sound, it's 'compressed', and Waves have already released a bundle called CLA Classic Compressors, containing faithful emulations of some of Chris Lord‑Alge's favoured spanking devices.
The new Artist Series collection, by contrast, models the entire signal chain that Chris Lord‑Alge favours for various named instruments. (The equipment that goes to make up this chain is not always specified, but to learn more about his mix techniques and gear, take a look at Paul Tingen's Inside Track feature from May 2007:.) The CLA Artist Signature Collection consists of six plug‑ins: CLA Drums, CLA Bass, CLA Guitars, CLA Effects, CLA Unplugged and CLA Vocals. All share a similar user interface, which somewhat resembles the LARC fader controllers for Lexicon reverbs. Five or six faders control different components of the overall effect, while illuminated buttons above them switch between different styles of that process. So, for example, several of the plug‑ins feature a delay: the slider controls the amount of delay added to the signal, while the associated button switches the delay time between slap, eighth and quarter notes. An additional slider at the left adjusts input sensitivity — naturally, all the plug‑ins include a healthy amount of dynamics processing, so this is important — and in some cases there are extra controls above this. In general, I liked the no‑nonsense interface a lot more than that of some of the other Artist‑series plug‑ins.
In CLA Drums, to pick a starting point more or less at random, the extra control I mentioned adapts the plug‑in to the source, so you can tell it whether it's dealing with a kick drum, snare, tom, overhead, room mic or, er, cowbell. The first two faders apply 'bass' and 'treble' EQ, with frequency ranges chosen using descriptive names such as 'roof' and 'top' rather than values in kHz. You then get a choice of three compression and reverb styles, and hard or soft gating. Struts 2.0 11 Jar on this page. In practice, I found myself really liking this plug‑in on overheads — I've never usually had good results from using lots of reverb and compression in this context, but a couple of fader moves in CLA Drums produced a really punchy, hard‑hitting sound that barely needed the addition of close mics. I tried it on kick and snare and found the results less to my taste; it's easy to push things too far and end up with a sound that is flat and lifeless. Overall, I was left with the impression of a plug‑in that excels if you want a particular kind of rock drum sound, but would be less useful in other musical contexts.